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With the plot
outline
finished up, I then turn my attention to transforming it into the final
script. As I mentioned before, I like doing this to really work out any
loose ends that I might have missed. Primarily pacing and dialogue.
'Course, with only a seven page story I'm not overly concerned with
pacing. Not in the same way as I am when it comes to a much longer
length work.
This finalizes the layout and locks
it down
pretty firmly. Since I'm the illustrator as well as the writer, I don't
mind working frm this type of "full script." Writers like Alan Moore
and Neil Gaiman use the full script writing method almost exclusively
and it's certainly worked for them. The problem with it is that it can
make true collaboration trickier. The artist becomes almost an "art
robot" or "cameraman" to the writer's writing and directorial control.
Depending on the creative team, that can be onerous and irritating for
an artist. In my case, I certainly don't mind. If another artist was
going to draw this story, however, I would discuss it with them before
I
went this far.
Fast Friends: a road to god knows adventure!
- Page One
- Panel One: First panel
contains all the credits for this little story. Most likely on a black
background. The title should read ”Fast Friends: a road to
god knows
adventure” by Von Allan.
- Panel Two: ‘Lil Marie is
sitting on the front steps of her apartment building, idly bouncing a
small rubber ball. The establishing shot for all of this will actually
happen on the next page, but I just wanted to frame the location right
here and now. Almost this entire story will take place on these front
steps so it’s important to mention this at the outset.
With that in mind, this panel is an extreme
close-up of Marie’s right
foot. We should see a lot of texture of the broken concrete steps
around her foot and lower leg, but the reader shouldn’t have
a really
strong idea of where Marie is. Hell, ideally they won’t have
a firm
idea of who the foot belongs to right away. So we’re really
shooting
for texture in this panel and the rest of the ones on this page.
- Panel
Three: This is basically a copy of the previous panel, but this time a
large striped rubber ball is strongly in the FG. It should be in
mid-air as it streaks by Marie’s foot.
- Panel Four:
This panel (ok, ok…and the rest of the ones on this page) is
like Panel
Two. This time, though, the ball has dropped out of view.
- Panel
Five: The ball has bounced back into view, dominating the FG once
again. Come to think of it, I could shoot for some squash and stretch
here.
- Panel Six: Final panel on the page and once
again the ball has vanished from our view. It’s just
Marie’s foot and
the concrete steps once again.
- Page Two
- Panel
One: We pull back to reveal an establishing shot of Marie sitting on
the front steps of her apartment. These are the same steps that
we’ve
come to know pretty well from the road to god
knows…
What’s key here is that she truly
doesn’t care
about the ball. She’s
bouncing it aimlessly with her right hand, not paying any attention to
it whatsoever. Her left hand holds her chin and her head is tilted away
from the ball. Sure, she’s sitting there, playing, but
she’s not the
faintest bit interested in what’s going on with the ball.
- Panel
Two: Cut in closer to reveal her complete disdain of the ball. Her eyes
are heavy as she looks up to the heavens. She’s really
groaning
inwardly – not a happy camper.
- Panel Three: This is
a tricky panel. In the FG is Marie’s hand (at the top) and
the ball
(someway down the panel). We’re looking out on the street,
though, and
in the MG we see ‘lil Kelly coming towards Marie, carrying an
armful of
VHS cassette tapes.
This shot is really from the concrete steps POV;
that’s where the camera is and why Marie is so strongly in
the FG.
- Panel Four: Close-up on Kelly’s face.
She’s
clearly bemused by Marie’s solitary ball bouncing efforts.
Kelly: Wow, you look like
you’re having
a world of fun.
- Panel Five: Marie is holding the ball firmly in
her right hand, palm up. She’s narrowing her eyes as she
examines it
closely.
Marie: Ball. Bouncy-bouncy. Boring. Not
fun.
- Panel
Six: Kelly, still holding the stack of three VHS tapes, looks
mournfully down at them. We can see the titles on the spines of each
tape box: Gidget, the Love Bug, and the Bad News Bears Go To Japan.
(Note that these tapes should be of the rental
variety. Don’t worry
about box art or anything like that. Keep it
“plasticy” since it’s a
tape rental.)
Kelly: Yeah, I hear that. My Mom
thought it would be oh
so swell to rent a whack of these girly kiddie flicks. How does The
Love Bug grab you?
Kelly: Ick…I think I just might
trade you for
that ball.
- Page Three
- Panel
One: Medium shot of Marie crouching in front of Kelly, head tilted as
she looks over the titles. Kelly is looking up at the sky, rolling her
eyes.
Marie: Geez, you weren’t
kidding. How
old does you’re mom think you are? Five?
Kelly: No, I think she was shooting for a
bonding experience. So she
thought these would be great for her, my little sister and me to watch
together. Weeeeeeee…
- Panel Two: Cut to Marie eyeing the VHS tapes
while she holds the ball in her right hand – basically
weighing the two
options.
Marie: I dunno. You guys are all moved
in and unpacked, right? And I’m sure you’ve got
books.
Marie: I think if my Mom offered me these gems
I’d just go lay low and read instead.
- Panel Three: Pull back a bit so that we see the
two of them. Kelly smiles while she watches Marie.
Kelly: Hey, I’m a bit
surprised you’re
not reading
right now. I mean, I’m sure a good bouncy ball is a world of
fun, but
why are you just sitting there…bouncing?
- Panel
Four: Marie has plunked herself back down on the steps, both elbows on
her hips and her hands cupping her chin. Possibly inflating both cheeks
and pursing her mouth. The very picture of frustration. The ball lays
on the ground in front of her, wobbling (so toss in a few motion lines
around it).
Marie: It’s my
Mom’s idea, not mine.
‘Get outside,’ she
says. ‘It’s summer. Go run around. Yer becoming
part of the furniture
just laying about. Go on…Get!’
Marie: I argued that books make me
smart and besides…would she prefer an idiot daughter
instead? Reading
is working out the brain and all that, blah, blah,
blah…but…
Marie: She wasn’t biting.
- Panel Five: Close up on Marie, looking all cagey.
Marie: So, I figured if I had to go out
I’d just take
my book with me, right? Well, as I headed for the door she snatched my
bookie right out of my hands.
Marie: ‘Play means play, not
reading’ was all
she muttered. Oy.
- Panel
Six: Kelly has put the stack of VHS tapes down and is now sitting
beside Marie. The tapes and the ball are in the FG. Marie
hasn’t moved
(still sitting with the weight of the world on her shoulders) while
Kelly is eyeing her sympathetically.
Kelly: Man, she didn’t give
you much
choice, huh?
- Page Four
- Panel
One: Low shot of the two of them with the front porch rising behind
them. Marie is scowling with both hands up, emphasizing her point.
Kelly, meanwhile, is bent over, laughing hard.
Marie: It gets better. I sat around for
a bit, bored, and then I hammered on the door to come back in.
Marie: All she did was open the door and throw
the ball at me!
- Panel Two: Pull back to reveal the two of them:
Kelly trying to regain her composure while Marie shoots her a foul
look.
Kelly: I’m sorry,
I’m sorry. It’s just
that I can
imagine what your face must have looked like when you saw that door
creak open and the ball come flying out at you.
- Panel
Three: Marie can’t help smiling at that herself.
She’s stretched out,
leaning back on the steps and resting her weight on her forearms.
Marie: Yeah, it was pretty funny.
Marie: Heh…Judging by the chuckles
I heard
from behind the door, my Mom certainly thought so.
- Panel
Four: That motivates Marie to once again rage against the injustice. So
we have a medium shot of Marie standing on the front steps, maybe one
leg raised, shaking her first in the direction of the door. Her mouth
is open in a full yell. Kelly, mouth agape, is staring up at her. Not
shocked, exactly, but surprised and amused at the same time.
Marie: Oh, there’ll be a
reckoning! You
hear me? A reckoning!
- Page Five
- Panel
One: Marie kneels on her haunches in front of the tapes while Kelly
continues to sit on the front steps. It’s kinda like Marie
hasn’t quite
come to grips with the choices Kelly’s mom has made and keeps
expecting
them to change into something else. So she’s lifting the top
tape from
the pile and examining the title of the one that lies beneath it.
Marie: So, how many of these did you
manage to get through, then?
- Panel
Two: Close-up on Kelly as she wrinkles her nose and makes a face. Maybe
even waving one hand in front of her as if to get rid of a foul odour.
Kelly: Well, none actually. My mom left
them on the table the other night and we all forgot about
‘em.
Kelly: That touch of forgetfulness is now
giving me a bit of a headache
since all three of ‘em are late. I get to bring ‘em
back and pay the
fine on top of it.
- Panel
Three: Marie holds one of the tapes up with distaste. Maybe an extreme
close-up on just a part of her face, the tape and her hand.
Marie: Ah, that sucks. Nothing like
paying twice for stuff you wouldn’t pay to watch in the first
place.
- Panel
Four: Bird’s eye of the two of them. Kelly, still sitting on
the steps
while Marie is crouched over, looking at the final tape.
Kelly: Yeah, totally.
Marie: Well, at least I have my Mom fairly
well trained. She’d never
bring this type of stuff back for me. It would be Star Wars or bust.
- Panel Five: Kelly, leaning back on her elbows, is
smirking at that.
Kelly: Oh, I see that. Crystal clear.
You’ve got her under your thumb.
- Panel
Six: The ball has just bounced off of Kelly’s head. Try to
crunch up
her face as much as possible. She’s not hurt, though. She
knows she had
it coming.
- Kelly rubbing her head, grinning.
Kelly: Ack! Ok, ok! I deserved that!
- Page Six
- Panel
One: Both girls are standing in front of the steps. Kelly has just
bounced the ball on the ground towards her new friend. Marie has her
right hand palm up, ready to catch it.
Kelly: Well, I suppose I should go get
this over with.
Kelly: Oh, and thanks a bunch for putting Star
Wars into my head. I could go for Return of the Jedi right about now.
- Panel Two: Marie is chuckling as she looks down,
examining the ball.
Marie: Sorry. Why don’t you
just ask
Todd at the store
to do you a favour? I’ve begged him a few times in the past
and it
works every now and then.
Marie: Besides, you’re the new girl
on the
block. Just say you’re mom mixed up the return day and he
might go for
it.
- Panel Three: Close-up on Kelly as she chews it
over, biting her lip.
Kelly: Ah, I dunno. We’ve
already
rented a few times since we’ve moved in so I doubt
he’d buy it.
- Panel
Four: Full body shot of Marie. Her stance is strong - arms folded over
her chest and her legs planted firmly. She ain’t tolerating
any
argument here.
Marie: Oh, really. Tell you what. If I
convince him to wipe the fine, can I come over and watch Jedi with you
guys?
- Panel Five: Kelly smiles broadly.
Kelly: If you can do that, then yeah,
I’ll
rent it. You can come over and watch it tonight.
- Panel
Six: The two, standing formally, clasp hands and shake on it. Both are
smiling broadly. This should be a really cute image so I may have to
play with it a bit. Two kids shaking hands is cute right off the bat,
but based on what’s to come in the graphic novel I want this
image to
have some punch.
- Page Seven
- Panel
One: Splash page of the two of them walking down the street, backs
towards the viewer. Tilt the page for more drama. Marie is helping
Kelly carry the VHS tapes and two are having an animated discussion as
they walk away.
Kelly: You know, I even heard there
were supposed to be
wookies in it instead of those teddy bears. Can you imagine? Wookies!
How cool would that have been?!
Marie: Yeah, but that space battle
still rocked. Just totally awesome!
FIN
So that's that. I'd you like, you can click
here to see what actual
story, with all the art finished, looks like! |

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