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Wolf's Head Issue 17 on Kindle

Teaser image for Wolf's Head Issue 17 in digital format


I’ve very pleased to announce that WOLF’S HEAD 17 is now available worldwide on Amazon’s Kindle platform. As I’ve noted before, there’s a great deal of changes going on with ComiXology/Kindle and it’s difficult to note how everything will play out. For now, though, I’m very pleased to have the latest issue published. As always, you can find the full series on Amazon.com at https://www.amazon.com/dp/B08MTGCS49. Oh, and a handy tip: if you are shopping from somewhere other than the United States, simply replace the amazon.com part of that link with your preferred domain. For example, in Canada the "dot com" becomes "dot ca" — therefore, the series can be found at https://www.amazon.ca/dp/B08MTGCS49. Easy!

It’s a bit of a milestone for the series, too. While 17 issues probably doesn’t seem all that special, creating 17 issues of a full-colour independent series really is. Honestly, it hasn’t been easy; getting reviews for my work has never been easy, but it’s become much harder over the past few years. I’m not sure why this is (and there are notable exceptions, of course), but it’s a struggle. One of the things I’ve long-loved about comics was that both creators and the media that covered them had a punk/do-it-yourself kinda mentality. I think this partially stemmed from the fanzine roots of comics media combined with how disparaged (at least in the West) comics as a medium often were. Here I’m thinking of Fredric Wertham, the United States Senate Subcommittee on Juvenile Delinquency hearings on comics books in 1954, and the subsequent creation of the Comics Code Authority. I personally find this history pretty repugnant; the idea that comics books could have a potential impact on juvenile delinquency has always struck me as extremely narrow-minded view and, more importantly, certainly not a fact-based view. However, this mentality remained pretty dominant right into the 1990s (one only has to look at Mike Diana’s legal troubles for one concrete example), though fortunately seems to have faded since then. One advantage of all this, though, is that I’d argue many comics creators as well as journalists had (broadly speaking) a sense of solidarity. My feeling, and it’s only just that, is that this solidarity has dissipated over the past few decades.

That’s not to say that there can’t be “good” corporate comics; obviously there can be and certainly are. However, it is to say that the space for independent work seems to have shrunk. Or rather, the space to review and celebrate independent work seems to have shrunk. At the same time, the coverage of corporate comics is all-encompassing and difficult to penetrate.

What can you do? Here are some ideas:

  1. If you like my work, then certainly buying it is a good first step.

  2. More broadly, reviewing it and telling people about it is, in some ways, even more important. If you like it, tell your friends and family about it!

  3. And lastly, if you have a favourite comic book site or even a favourite journalist, drop them a line and tell them about WOLF’S HEAD. Despite my best efforts, many people don’t know the series exists. You can help change that!


Share the love… because without that, the series will eventually die. Sad, but true.

Panel examples from Wolf's Head 17

Wolf's Head by Von Allan

Link to Von Allan's Wolf's Head comic book series

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