A few years ago I submitted the following pages along with a story proposal (titled “The Impossibles” to a publisher of some renown, but the pitch was sadly rejected. I sat on it for a bit, but I liked it enough that I wound up re-purposing a good chunk the story proposal for what would eventually become my ongoing comic book series “Wolf’s Head.”
While I was prepping for a recent art/craft show, I came across the pages and thought they’d be fun to post here. Sadly it’s not a complete story and ends on a bit of a cliffhanger, but if you don’t mind that you might get a kick out of it. And who knows… maybe one day I’ll revisit “The Impossibles” again. One thing I’ve learned with art: never say never!
Oh! Some of you might recognize page 1. What I just said about re-purposing story and art? Well, I took that page and used a tweaked version of it for the cover of my short story collection “Stories! 2015 to 2019” which you can read for free right here.
I’ve pleased to announce that WOLF’S HEAD 18 is now available worldwide on Amazon’s Kindle platform. Now, if you’re asking yourself if this issue was later than normal, you would be right! The last number of months have been difficult to say the least and a lot of things went on the backburner. The big one was, of course, the death of my oldest friend Dave. In fact, this issue is dedicated to him. He had read quite a bit of WOLF’S HEAD and really enjoyed it. It was actually harder than I thought it would be to complete this issue, mainly because I know that he isn’t around to read it. So it goes and all that, but I’d be lying if I said that I wasn’t thinking of him quite a bit while I was working away on this issue.
There have been a number of other events that compounded with Dave’s death to really slow things down. That said, things are back on track now and I’m very pleased to get back to WOLF’S HEAD, a series that I adore. One of the things that I love about serialized storytelling (as opposed to working on a “beginning-middle-end” stand-alone graphic novel) is that the story takes one in unexpected directions. Back when I was working on the early issues of the series, I never thought that Lauren, SankÅ, and their friend the AI would have some of the adventures they’ve wound up having. That some of these events have surprised even me is pretty cool. I think (well, hope, anyway!) that this helps keep you (dear reader!) a little unsure of where things are going, too. That really is part of the fun of doing a series, regardless of its form. Back when I was working on those early issues, did I ever expect Lauren to be in Alaska and have the adventures she had there? Nope! Did I know about her road trip back down south, with her wonderful VW van and all of the rest? Nope! Did I know about the characters she’d meet along the way? Chuck Freight, Foolbert Bong, Fang Ting Him, Maggie Vraic, and all the rest? Nope! And did I know that Richard Blairstone, a bit of a “throwaway flunky” back in those early issues, would become the “heavy” he has? Nope!
Finding joy and being surprised in unexpected turns of events is amazing! It really is! I hope you find that, too, and with that in mind I’ll ask you this: if you enjoy WOLF’S HEAD, if you love it, please help spread the word about it. Review it! Tell your friends and family about it! Talk it up! Write me a letter telling me what you love and — gulp! — what you don’t! If you’re receiving this update via email as a subscriber, forward that to people you think might like the series and my work. Partner with me and help get the word out!
Folks, don’t forget this very handy tip: if you are shopping from somewhere other than the United States, simply replace the amazon.com part of that link with your preferred domain. For example, in Germany the “dot com” becomes “dot de” — therefore, the series can be found at https://www.amazon.de/dp/B08MTGCS49. Nice and easy, eh?!
Before I forget, here’s the trailer I did for the first hardcover edition of the series, collecting the first six issues. This book is beautiful to hold and early reviews have been very positive! This one, for example! There are many ways to engage with the series, but there’s something about holding the physical book in your hands that is pretty special.
Barney Smith of the fantastic StoryComic site (https://www.storycomic.com/) was nice enough to have me on his show! And unlike some other radio/podcast shows, this was actually done live in front of the camera! Video! Shocking!
What is truly amazing to me is that Barney has now done 289 (!) episodes of his show. That’s 289 interviews of all kinds of writers and artists, many working in comics but certainly not everyone, and he does it with humour and grace along with a boatload of great questions, too. And since he’s based in Vermont, he’s also done a special subset of episodes that deal with creative folks that live in that state (I think about 42 episodes in that category). That is one hell of a lot of work and, as I noted to Barney, I’m not sure how he does it. A love of the medium certainly helps and he has that in spades, but still… I get tired just thinking about how I’d handle that many interviews, especially given all of the research and energy that goes into it.
And, of course, The Center for Cartoon Studies is based in White River Junction, Vermont. That’s important because the school, as they note on their website, “centers on the creation and dissemination of comics, graphic novels and other manifestations of the visual narrative” as is one of the few that do that sort of thing in North America. See? How cool is that?!
So, what do we chat about? Well, not only my background in art and comics, but also how I approach telling the stories I do. We’re talking art here (and by art I mean “art” that’s very broadly defined). In other words, there are no right and wrong answers to how one makes art. There are just tools and different approaches and a great deal of learning. Whew, boy, the learning truly never stops and that’s one of the joy (and, okay, one of the occasional pains) about art. I was delighted that Barney was interested in talking about this, mainly because I think it’s one of those things that can kinda get glossed over. In other words, how one (as a creator) thinks about and approaches the story they are trying to tell is very important. It’s very easy to confuse or otherwise lose the reader and, at least for my own work, I rarely want to do it and never want to do it by accident (for those interested, one of my most abstract stories is this older one, that really needs to be read at least twice to really “grok” what it’s about).
And, of course, we take a pretty deep dive into WOLF’S HEAD, my ongoing comics series, too. (and pssst! Don’t forget to check out the new snazzy trailer for it, too!)
I’ve very pleased to share this, though it took quite a bit of work to get ‘er done. So! This a short trailer I created for my ongoing comic book series WOLF’S HEAD, specifically for the first hardcover collection. It took some doing, mainly because there are some short animated sequences; since I’m definitely not an animator, I had to learn some new tools to make it work. That’s the challenge of creating anything, but perhaps especially art, but it’s also part of the fun, too. It’s also really neat to see my art presented in this way. Still me, but different.
This is really a narrative trailer, for lack of a better phrase. I wanted to avoid just “throwing” artwork at viewers and try, as elegantly and succinctly as possible, to get to the heart of the story. I think the trailer does that, but of course, you will be the ultimate judge. ‘Course, if you like it, please do share it far and wide.
For those interested, I used Blender to create the animations and then put the whole thing together using OpenShot. Both software packages are free and are very powerful. Blender, in particular, is remarkable. Folks have made full length 3D animated films using it, but I was really taken with Blender’s 2D options.
One of my very first long form interviews and one that I thought was lost! This was done way back in 2008 with James Hendricks, then host of Talk Ottawa here in Ottawa, Ontario. This interview meant a lot to me since I was basically just starting out and he and the producers of the show were very open and welcoming.
James and I chat about comics and graphic novels, the challenges of being an indy artist, and the changing face of technology and how that applies to comics. We also do a deep dive into my very first graphic novel, titled “the road to god knows…”, that deals with parental mental illness. In the case of that comic, I drew on a lot of my own experiences growing up with my mom; she was diagnosed with schizophrenia when I was very young. We talk about that, too.
Oh! My art that was presented in the original video was pretty rough, so I decided to update it with art revisions I did some years ago.
I thought it would be fun to share some of the ol’ “process” behind a recent page from WOLF’S HEAD. In this case, it’s the first page to issue 18. And hey, 18 issues in for an indy comic book series is not too shabby, folks.
This page features Lauren Greene and Super Bob Sanchez chit-chatting in a diner in Alberta. The page also builds off of issue 17 and the various struggles that Lauren is currently going through. While I don’t think there’s any “right” or “correct” way of starting a comic, I’ve long been partial to opening with a splash page to get things going. This is especially useful here because the preceding panel in the previous issue was actually very small. So if one is reading these issues in sequential order, it should be fun to leave off last ish with a tiny panel and then start this one with a biggie.
I’ll start with the final coloured and lettered page and we can work backwards to the initial layouts. Oh, one important caveat: while some pages take a bit of visual brainstorming, in this case I knew exactly where I was going (building from last issue, right?) so I didn’t need to do that. That’s often not the case and many pages take a bit of thumbnailing (usually tiny thumbnails) to work out mentally how I want to approach a page. This is often especially true for covers; considerations of logos and whatnot influence how the page might look. In other words, sketching and “mucking about with page design” is a tried and true way to go.
Next are the final inks, including screen tones (or, if you will, Ben Day dots or what I long called “zipatones”). Generally I do not include the lettering in the final inks (well, at least for colour work) and that is reflected here. Inking is one of my favourite things to do and this page was a blast to work on!
Next up are the final tight pencils. There is a bit of visual cheating going on here. I actually rarely rough out a page like this as one individual unit. Rather, I actually do various pencil sketches (and sometimes even inked sketches) on different sheets of paper, scanning them into my computer and finalizing the pencil layout that way. I like that approach, mainly because it allows me to isolate various parts of the illustration and work on that. In this case, the diner is a good example: isolating the perspective drawing from the figure drawing allowed me to play around with some ideas, something a bit harder to do if everything was on one sheet of Bristol board.
The next two illustrations showcase more of what I mean. First is the tighter pencilled perspective sketch of the diner and that’s followed by the very loose sketch (this time with my trusty Tombow brush pen) as I loosely laid down some ideas. These actually follow part of the same process I described here, but in this case I did do a round of tighter pencils rather than just go into final inks because I needed to be sure of a few different things. The trade-off is time, but I felt it was worth it in this case.
Not included here are the separate figure sketches. I generally do loose little gestures, often in ink, and then scan, check, print out, and tighten into final pencils. You can see the final result in that first sketch above.
Some pages are slow, some go surprisingly quick, and this one was somewhere in the middle. It was a lot of fun to do and hopefully starts off issue 18 in an engaging, intriguing, and beautiful way.
UPDATE! While the Amazon deal described below has expired, I have decided to start making my comics freely available to all. Please visit https://www.vonallan.com/p/pirate-von.html for more information and download links!
For a limited time, eight of my comics formatted for Amazon’s Kindle are available for free! These are free anywhere in the world (well, at least those places that have access to Kindle). If you have been on the fence of trying my comics, this is a great way to give them a try. And, if you know people who might like my comics but have never tried them, please pass this along. Sharing is caring and all that and, of course, one can’t beat free.
The titles in question are as follows:
WIZARDS FOR HIRE — CHEAP!
STORIES! 2015 TO 2019
And the first six issues of my ongoing series WOLF’S HEAD. Oh, and please do not forget this: since the first six issues are available for free, buying the entire series in digital format (17 issues!) is now about $12.00 US cheaper than normal. In addition to that, these first six issues also make up the first collected hardcover volume, so if you’d like to try the series out but felt that the hardcover was too pricey, this is a great to “dip a toe in the water.”
I’ll put the links to both Amazon.com and Amazon.ca below. For those of you visiting from other parts of the world, please note that all you need to do is replace the “dot com” or “dot ca” with your own regional domain and you’ll be taken to that Amazon site. For example, if you are in Spain and use Amazon.es, all you need to do is replace the “dot com” part of the link (for example, my author page at https://www.amazon.com/Von-Allan/e/B002BM77EM/) with “dot es” (https://www.amazon.es/Von-Allan/e/B002BM77EM/). And voila! There’s my author page for Amazon Spain!
Well, this is an unexpected treat! A treat so unexpected that I’m going to take a moment to explain it first.
I first wrote the following short story, titled “Sheba the Great!” back in 2004. Almost twenty years ago… the mind kinda boggles at that. Anyway, at the time — and as I’ve discussed in the past — my drawing skills were not that strong. As a result, I wound up deciding to not draw the story. Instead, I shelved the story and moved on to other projects. Fast forward to the spring of 2015. My drawing skills had really improved and, looking around for something to draw, I stumbled across my old short story from, at that point, a decade before. So I did! It was a fun project and turned out really well. I didn’t colour it, but I did pencil and ink it.
And then something kinda goofy happened. I was in the process of working on a number of short stories (you can see some of those here) and once I finished “Sheba,” I moved on to other things. Shortly after that, I wound up having a pretty spectacular computer crash. Now, I back up everything regularly and I try to keep some of my key art files off-site, too. When I restored everything, “Sheba” had disappeared! I remember being extremely frustrated, but I was faced with a quandary. “Sheba” was seventeen pages long. Did I really feel like re-drawing and re-inking the entire thing? I decided that the answer was a pretty firm “No.” Part of that was my frustration, of course, but I also really didn’t feel like going backwards and re-working something I had felt that I already completed. Moving on felt right. And so I did.
Since the past year was pretty chaotic (to say the least) and as the holiday season was approaching, I wound up going through a couple of old hardrives that I had thought had “given up the ghost.” I was able to partially get into one of them and (drum roll please!), I discovered that I did have a copy of “Sheba” after all! What a pleasant surprise!
Looking over my art and storytelling, I felt that the story and my approach to it held up pretty well, all things considered. I wound up having some spare time over the holidays, though, that gave me the perfect opportunity to finally complete it. I spent a little bit of time tweaking a few things here and there (‘cuz, you know, one never stops growing with art). And, of course, it had never been coloured so I needed to do that from scratch. Plus lettering the whole thing, too. I was able finish the entire thing just before New Year’s Eve. That just left it for my erstwhile editor to give the story a final pass and the official “go ahead.” That has now been done. And so, here we are!
“Sheba the Great!” is a light-hearted sci-fi comedy that was a great deal of fun to write and a blast to draw. And it’s probably the oddest story I’ve ever presented you, dear reader. Written in 2004, drawn in 2015, tweaked in late 2022, and finally coloured, lettered, and edited also in late 2022. In other words, different aspects of me, working together across time. Kinda weird, but kinda wonderful!
“Sheba” also wears its influences on its sleeves. In a way, “Sheba” is a love letter to certain stories that I grew up. It’s the best way I have to say thank you to creators like Pedro Henry, Steve Dillon, Harry Harrison, and so on.
I really hope you enjoy it!
Update! I’m very pleased that people are having fun with this story! To thank everyone and to give a bit of content back to the greater comics community, I’m releasing the story as a free download in .cbz format. Actually, I’m doing it in two versions: a low-resolution version and a high-resolution version and both are available through Dropbox. The low-resolution version is here and is about 20 megs in size. The high-resolution version is here and is about 75 megs in size. Oh, once you have downloaded either version, you’ll need a .cbz reader to actually read it. If you don’t have one, Wikipedia has some suggestions right here. As always, please be careful downloading anything that you’re not sure about. Please do your own research to find the one that best fits your needs.
So, there you have it! I hope you enjoyed reading it as much as I did writing and illustrating it! And don’t forget to visit the rest of my archives. There are a number of other short stories that you can read for free right here. And my long-form comics project, “Wolf’s Head,” will also be debuting as an ongoing webcomic very soon! If you’d like to keep up to date with all of my art and comics, you can sign up for my mailing list. Thanks!
With the holidays just around the corner, I thought I'd take a moment and summarize my two hardcover graphic novels that were recently published. Why? Well, I think that they both are perfect gifts for the holiday season! I'm very proud of both of them. I think they both are the best representations of my art and writing that have ever seen print. Both books are beautiful and I'm extremely pleased with how they both turned out.
Both hardcover graphic novels are available pretty much everywhere in the world. One of the remarkable things that the internet has brought us all is the relatively easy way to find and buy books. I still remember, back in my bookstore days, how tricky it was to actually books. And if one goes back any further, prior to the internet, finding specific titles, especially indy books from indy authors, was extremely difficult. One would have to search local stores, reach out to fellow fans in other towns and cities, and even write to stores in other countries to track down a title. Now? It is so much easier. It really is a remarkable change. For an independent comics creator like me, it is a huge change.
WOLF'S HEAD BOOK 1 collects the first six issues of the ongoing WOLF'S HEAD comic book series in full colour. The graphic novel version is 176 pages long in full colour. And what's it about? Well, here's what my illustrous editor and I wrote for the synopsis:
Lauren Greene is an ex-police officer who turned her badge in after becoming frustrated with the police force's corruption. She's had enough of violence and is thinking about packing her bags and hitting the road to see how she can make a difference out in the larger world, when her mother Patty shows up at her door with a complication. It turns out that Patty's employer — a secretive military corporation — has created an artificial intelligence to fight humanity's wars. Unfortunately for the corporation, the AI fell in love with Patty's humanity and orchestrated its own escape through her. Giddy with excitement, Patty brings the AI straight to Lauren for help, not realizing the danger she's putting herself and her daughter in. But Lauren has dealt with people like this; she knows what they're capable of and she is terrified. Her fears are realized when she and her mother are confronted by corporate goons who want the AI for themselves and are willing to do anything to get it. As Lauren does her best to keep herself, her mom, and her family safe, the tensions over the AI erupt into violence… and suddenly Lauren is on her own.
The new little life form doesn't want to go back to the corporation and Lauren realizes it cannot be forced to live out its life as a war machine. There is already enough corruption, inequality, and violence in the world; the AI has to have a chance to help humanity — peacefully — while figuring out its own existence. Together with the AI, an eccentric cast of friends and family, and her dog, Lauren must figure out her next steps… while keeping herself alive.
And here's a fun little teaser I did that showcases some of the themes and art from the collection:
It really is a fun graphic novel with all kinds of twists and turns. I'm very proud of it and I'm extremely pleased with how sharp the printing turned out.
Unlike WOLF'S HEAD BOOK 1, this is a short story collection featuring some of my favourites. All of these short stories are available for free on this website (you can find the links to each short story in webcomic format here). Frank Plowright also did a great review of the collection at https://theslingsandarrows.com/love-laughter-and-loss-a-comic-collection/.
Here's the short synopsis from the book:
This collection contains nine short stories by Canadian writer/artist Von Allan that, together, represent the best and worst parts of life; love, laughter, and loss. Travel around the world (and sometimes even off world!) with average people, heroes, cowardly adventurers, and even a dog. While these stories were previously published in two periodical collections ("WIZARDS FOR HIRE-CHEAP!" and "STORIES! 2015 TO 2019"), this marks the first time they've appeared in a premium hardcover format.
And here's a teaser image from the collection!
Like WOLF'S HEAD BOOK 1, this short story collection is perfect for fans of comics and graphic novels. The short stories really range in tone and theme and I'm extremely pleased with how they look in print.
So, that's that! Two beautiful graphic novels that fans of comics will fall in love with. If you need a gift for someone (or even just yourself!), please do consider them. You won't be disappointed!
I'm very pleased to announce that I'll be one of the participating artists in this year's Vanier Artisans Christmas Craft Sale. This is organized by the always capable and wonderful Charlotte Taylor and she's bringing together a wide range of artists of different disciplines for the sale. I really like that; I don't like "silos" and the idea that artists have to "stay in their lane" or somesuch has never made much sense to me. I like that different artists can get together for an event like this. That's a neat way to share art and a great way to have some fun. And a special bonus is that I designed and illustrated this year's poster, too!
I'll be bringing a number of my comics and graphic novels, including the hardcovers of WOLF'S HEAD and LOVE, LAUGHTER, AND LOSS. Plus prints, cards, and a few other odds and ends. And I think a very special guest will be joining me there, too. That's all hush-hush and super secret! The only way to find out is to come!
So if you're interested in meeting some amazing artists and perhaps buy some lovely art for Christmas, Hanukkah, Kwanzaa, or "just because," please drop by on Saturday. It should be a lot of fun!
As WOLF’S HEAD BOOK ONEcontinues to make it’s way around the world, I thought I’d take a moment and talk about what’s inside the book. At 176 pages, it’s packed full, featuring the first six issues of the digital series as well as loads of “extras” that serve as a peek behind the curtain of its creation.
Right from the beginning I tried very hard to design the series to work episodically as well as collectively. What does this mean? Well, each issue stands on its own, giving what I hope is a terrific reading experience. Probably the only exception to that is the very first issue. Why? ‘Cuz issue 1 ends on a cliffhanger! Issues 2 through 6 don’t, however, and I really wanted that to be an important of the series. This is the notion of “episodic closure” that I’ve discussed before. At the same time, I also wanted an impetus, that sense that events were building towards something. Step by step, issue by issue, events and circumstances were racing towards a strong climax. That culmination is in issue 6 and I think that payoff is incredibly exciting; when the six issues are read together, one gets a really neat story. A story full of change, reversals, and excitement! The hardcover collects all of that in one handy place. Plus its a beautiful edition, too!
That’s something I love about comics. I also love it about storytelling in general, but I especially love it in comics. That sense of “Wait! What happens next?!” WOLF’S HEAD has that in spades and I’m extremely pleased with how everything turned out.
Of course, you don’t have to own the hardcover to get that thrill. The digital series does the exact same thing, just in a slightly different format. While I think the hardcover is great for curling up and reading, reading on a tablet or even your phone can offer the same kind of experience. When it comes to my own reading habits, I’m not an elitist. I read paper books, I read on a tablet, and I read on my phone. And I read all sorts of stuff, including comics on all of these platforms. For digital, I tend to prefer reading on a tablet, but I’ve had lovely experiences reading on my phone, too. For the digital series of WOLF’S HEAD, I worked very hard to ensure that even for those reading on their phone the experience would still be really smooth and intuitive.
So, what’s next? Well, I’m hard at work on issue 18 and that should be out in the not-too-distant future. And I’d also like to collect the second story arc into a matching hardcover, too. There’s no firm date for that yet, but it’s coming.
In the meantime, please enjoy WOLF’S HEAD in whatever form suits you best. The whole idea was to offer readers a lot of different ways to enjoy the series. If it’s the hardcover, terrific! It’s the digital versions, great! Whichever way suits you best works just fine for me!
Oh, and if you’re brand new to the series and would like to learn a bit more, here’s the ol’ Elevator Pitch for BOOK ONE: “Lauren Greene is an ex-police officer who turned her badge in after becoming frustrated with the police force’s corruption. She’s had enough of violence and is thinking about packing her bags and hitting the road to see how she can make a difference out in the larger world, when her mother Patty shows up at her door with a complication. It turns out that Patty’s employer — a secretive military corporation — has created an artificial intelligence to fight humanity’s wars. Unfortunately for the corporation, the AI fell in love with Patty’s humanity and orchestrated its own escape through her. Giddy with excitement, Patty brings the AI straight to Lauren for help, not realizing the danger she’s putting herself and her daughter in. But Lauren has dealt with people like this; she knows what they’re capable of and she is terrified. Her fears are realized when she and her mother are confronted by corporate goons who want the AI for themselves and are willing to do anything to get it. As Lauren does her best to keep herself, her mom, and her family safe, the tensions over the AI erupt into violence… and suddenly Lauren is on her own. The new little life form doesn’t want to go back to the corporation and Lauren realizes it cannot be forced to live out its life as a war machine. There is already enough corruption, inequality, and violence in the world; the AI has to have a chance to help humanity — peacefully — while figuring out its own existence. Together with the AI, an eccentric cast of friends and family, and her dog, Lauren must figure out her next steps… while keeping herself alive.”
Where To Buy
Here are all of the key purchasing links for the hardcover:
I’ve very pleased to announce that WOLF’S HEAD 17 is now available worldwide on Amazon’s Kindle platform. As I’ve noted before, there’s a great deal of changes going on with ComiXology/Kindle and it’s difficult to note how everything will play out. For now, though, I’m very pleased to have the latest issue published. As always, you can find the full series on Amazon.com at https://www.amazon.com/dp/B08MTGCS49. Oh, and a handy tip: if you are shopping from somewhere other than the United States, simply replace the amazon.com part of that link with your preferred domain. For example, in Canada the "dot com" becomes "dot ca" — therefore, the series can be found at https://www.amazon.ca/dp/B08MTGCS49. Easy!
It’s a bit of a milestone for the series, too. While 17 issues probably doesn’t seem all that special, creating 17 issues of a full-colour independent series really is. Honestly, it hasn’t been easy; getting reviews for my work has never been easy, but it’s become much harder over the past few years. I’m not sure why this is (and there are notable exceptions, of course), but it’s a struggle. One of the things I’ve long-loved about comics was that both creators and the media that covered them had a punk/do-it-yourself kinda mentality. I think this partially stemmed from the fanzine roots of comics media combined with how disparaged (at least in the West) comics as a medium often were. Here I’m thinking of Fredric Wertham, the United States Senate Subcommittee on Juvenile Delinquency hearings on comics books in 1954, and the subsequent creation of the Comics Code Authority. I personally find this history pretty repugnant; the idea that comics books could have a potential impact on juvenile delinquency has always struck me as extremely narrow-minded view and, more importantly, certainly not a fact-based view. However, this mentality remained pretty dominant right into the 1990s (one only has to look at Mike Diana’s legal troubles for one concrete example), though fortunately seems to have faded since then. One advantage of all this, though, is that I’d argue many comics creators as well as journalists had (broadly speaking) a sense of solidarity. My feeling, and it’s only just that, is that this solidarity has dissipated over the past few decades.
That’s not to say that there can’t be “good” corporate comics; obviously there can be and certainly are. However, it is to say that the space for independent work seems to have shrunk. Or rather, the space to review and celebrate independent work seems to have shrunk. At the same time, the coverage of corporate comics is all-encompassing and difficult to penetrate.
What can you do? Here are some ideas:
If you like my work, then certainly buying it is a good first step.
More broadly, reviewing it and telling people about it is, in some ways, even more important. If you like it, tell your friends and family about it!
And lastly, if you have a favourite comic book site or even a favourite journalist, drop them a line and tell them about WOLF’S HEAD. Despite my best efforts, many people don’t know the series exists. You can help change that!
Share the love… because without that, the series will eventually die. Sad, but true.
Hot on the heels of the release of my first hardcover (LOVE, LAUGHTER, AND LOSS: A COMICS COLLECTION) comes the biggest release of my career so far! WOLF'S HEAD BOOK 1: WE ALL WANT TO CHANGE THE WORLD.
That’s right! I’m very pleased to announce that WOLF’S HEAD BOOK 1: WE ALL WANT TO CHANGE THE WORLD has now been published in a deluxe hardcover edition! This book (and whew, it is gorgeous!) collects the first six digital issues of my ongoing comic book series WOLF’S HEAD and packed with extra material. Altogether it’s 176 pages in length and I’m proud of it. Damn proud, in fact.
In many ways, LOVE, LAUGHTER, AND LOSS was the test case for WOLF’S HEAD. When I published that short story collection, I noted that it was the first time that my work had ever appeared in a premium hardcover format and I was pretty nervous about it. Part of the reason to do that collection in hardcover was a test case for WOLF’S HEAD. I wanted to make sure that WOLF’S HEAD looked as good as possible and the only way to know for sure was to test. And then test again. Which is exactly what I’ve been doing over the past year or so while production continued on the ongoing WOLF’S HEAD comic.
Now, some of you may ask about the previously published print editions of WOLF’S HEAD. Those came out in seven “issues” over the past few years. Each print “issue” collected two of the digital issues together, creating a print edition that was approximately 60 pages in length. These were in trade format (which means that they have a spine rather than being saddle-stitched — stapled — like a “typical” 32-page comic book). I was never very happy with these print versions. Why? Well, the first reason is that it was a compromise for publishing into the Direct Market (this is explained fully here). The second reason was that both the format and the print quality weren’t quite what I was hoping for. Does that mean they were awful? No, far from it, but to keep costs down the paper wasn’t the best. I never found the printed colours in these trade paperbacks looked quite right. Worse, being printed in trade paperback format meant that you could never lay the comic out flat, like you can with a “typical” 32-page comic. This new hardcover corrects all of that; the newly remastered colours (more details on that here) combined with better paper means that everything looks beautiful, the hardcover is actually quite a bit larger than the previous trade paperbacks so that the art really “sings”, and it’s much easier to lay out the book flat if you’d like (though keep in mind that at 176 pages this will not sit flat like a 32-page comic would).
Going forward, the trade paperbacks have been discontinued and will no longer be supported in print. In other words, when they sell out, that’s it! They won’t be reprinted. The series will continue in digital format and, when a specific number of issues have been completed, these will be collected into hardcovers, too. In other words, hardcover is the way the series will be printed, at least for the foreseeable future. I also believe that collecting issues into “story arcs” is the best way to present my work. I hope that you will think so, too.
I'm also pretty confident now that WOLF'S HEAD will also be debuting as a webcomic in the not-too-distant future. That would give folks a third way to read the series. I don’t want to say much more about that yet, though!
Additional Photos!
Links to Purchase
WOLF’S HEAD BOOK 1: WE ALL WANT TO CHANGE THE WORLD is still “propagating” out there (in fact, I'm still waiting to get my own copies for local distribution), but here are some initial purchasing links that I know of for sure. More will be added as they appear.
WOLF’S HEAD is truly a journey of love for me. It represents the best art and writing I’ve ever done and I can’t wait for people to hold the hardcover in their hands!
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