Megan Durnford, her film LAST RESPECTS, and the Betty Youson Award for Best Canadian Short Documentary

Megan Durnford (photo courtesy of Charlotte Dunford-Dionne by way of the Westmount Independent
Well, in the category of “better late than never,” I just discovered that Megan Durnford won one helluva an award back in May*. The award is the Betty Youson Award for Best Canadian Short Documentary and is for Megan’s short documentary LAST RESPECTS (more on that in just one sec). As some of you know, Megan is also the writer and director behind I AM STILL YOUR CHILD, a documentary dealing with so-called COPMI (“Children of Parents with Mental Illness”). Yours truly was in that film, dealing with my mom’s diagnosis of schizophrenia and what growing up in that environment was like.

Regrettably, I have not seen LAST RESPECTS as of yet, but the film deals with a part of our culture that is really never talked about, at least publicly. As Megan noted, “What happens to Montrealers who die alone and whose bodies are not ‘claimed’ by loved ones?” As she began doing research, she came across a short article that discussed Father Claude Paradis and his annual ceremony for these forgotten people of Montreal. Rather than have me blather on about it, though, you can read Megan’s own thoughts about the film by reading her essay at https://povmagazine.com/reflections-on-the-making-of-last-respects/. The trailer for the film is on YouTube at https://www.youtube.com/watch?v=K8vOsGlC5BQ

The film also led to a really unique collaboration. Megan worked with her son, Hugh Durnford-Dionne, a cinematographer and editor in his own right and the two were able to mesh their skills as they developed the film project. While I’ve only met Hugh briefly, it is really neat that the two of them were able to work together in such a fashion. Not every family could actually complete a journey like that.

As the HOT DOCS — Jury statement notes, “For its human, simple and necessary approach to the universal theme of the dignity and value of every single life that stands out by virtue of its compelling, skilfully crafted visual language as much as its personal story and message.” And Instagram has a snazzy photo of Megan accepting her award!

I would encourage you to seek out the film, as I plan on doing, and also follow along with Megan’s career. And remember: she is not only a filmmaker, but is an author.

Salut, Megan!

* Yes, May, but I only came across the news yesterday courtesy of Westmount Independent, based in the island of Montreal.

Wolf's Head Book 1 Trailer

I’ve very pleased to share this, though it took quite a bit of work to get ‘er done. So! This a short trailer I created for my ongoing comic book series WOLF’S HEAD, specifically for the first hardcover collection. It took some doing, mainly because there are some short animated sequences; since I’m definitely not an animator, I had to learn some new tools to make it work. That’s the challenge of creating anything, but perhaps especially art, but it’s also part of the fun, too. It’s also really neat to see my art presented in this way. Still me, but different.

This is really a narrative trailer, for lack of a better phrase. I wanted to avoid just “throwing” artwork at viewers and try, as elegantly and succinctly as possible, to get to the heart of the story. I think the trailer does that, but of course, you will be the ultimate judge. ‘Course, if you like it, please do share it far and wide.

For those interested, I used Blender to create the animations and then put the whole thing together using OpenShot. Both software packages are free and are very powerful. Blender, in particular, is remarkable. Folks have made full length 3D animated films using it, but I was really taken with Blender’s 2D options.

The video is embedded below, but if you can’t see it, you can view it directly on Youtube at https://www.youtube.com/watch?v=A1llp9chMzw